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Violine & Graveyard Pt. I

In January of 2019 I had the pleasure of photographing the lovely and talented violinist Cynthia Bihary (sinoki) and her tool – that is of course, the violin. The location we chose set the tone for the shoot; a beautiful old graveyard in Vienna. By coincidence, this graveyard was also the original burying ground of one of the most famous musicians, Wolfgang Amadeus Mozart. We channeled the old spirits and the particular mood of the place for the shooting, which lasted a couple of hours. I will present shots from this session in two parts. Following is the first part.

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Art Déco of New York

The art déco style can be seen as a continuation of the art nouveau style or Jugentstil style, which increased in popularity in the Western World around WW I. Art deco formalizes the language of Jugentstil, gets more structured and formalized but retains some playful elements of art nouveau. The style was popular in New York at the beginning of the 1930s and can be seen in Manhattan – if one looks closely enough.

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Streets of New York

Wandering the nameless and grid-like streets of New York, you feel like a particle trapped in some kind of computer system. The streets are streams of data rushing relentlessly through the motherboard. On the way to midtown, the houses become ever more significant, and you seem to be increasingly irrelevant, a lost particle in a perfectly structured system. After some time, you reach the square-shaped central park, which looks like the green chip on the motherboard. The last refuge of mother nature on the island of Manhattan gives you a break, and you may reflect upon the differences between it and European cities. By comparison, they seem more naturally grown, shaped by history and necessity with dwindling roads and overgrown parks, more human and less grid-like. They are designed as well, of course, but their artificiality seems to be hidden behind history, individuality, and to be more human in size. But suppose the buildings seem to touch the sky, and the roads are endless grids. In that case, everything may be possible in the end, and that’s the secret of the so-called American dream: To escape the motherboard, to be more than a nameless particle, you need to find a way through the grid and climb the sky.

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